Vian Borchert

Ariadne’s Crest, Horizons, and the Poetics of Abstraction

Vian Borchert’s work occupies a rare space where abstraction, memory, and myth converge. Across continents and exhibition contexts, her paintings function as visual thresholds—portals between the personal and the archetypal, the earthly and the celestial. On MUSE.TV, we spotlight Borchert’s current and upcoming exhibitions, beginning with her newest body of work debuting in New York City.

ARIADNE’S CREST: Ad Astra | To the Stars

Lichtundfire Gallery, New York City

Borchert’s latest abstract paintings are currently on view in ARIADNE’S CREST: Ad Astra | To the Stars, the invitational 10-year anniversary exhibition at Lichtundfire Gallery on the Lower East Side of Manhattan. Conceptualized and curated by Priska Juschka, the exhibition brings together artists whose practices engage myth, time, and transcendence.

Drawing from the Greek myth of Ariadne and Dionysus, Borchert’s paintings revisit the legendary meeting place on the island of Naxos—where abandonment transforms into cosmic devotion. According to myth, Dionysus immortalized Ariadne by casting her jeweled crown into the sky, forming the constellation Corona Borealis. Borchert reinterprets this narrative through abstraction, merging personal memory with cultural mythology.

Her compositions reference the iconic Portara—the monumental gateway of the unfinished Temple of Apollo—rendered through layered blues, aquas, and gestural marks that suggest sea, sky, ruin, and passage. These works do not illustrate myth; they activate it, allowing ancient narrative to surface through contemporary painterly language.

Exhibition Details

  • Dates: December 5, 2025 – January 3, 2026

  • Gallery Hours: Wednesday–Saturday, 12–6 PM

  • Location: Lichtundfire Gallery, 175 Rivington Street, New York, NY 10002

  • Availability: All works are available through the gallery

Works on View

Threshold (2025)
Acrylic on canvas, 20 × 20 in

Portara (2025)
Acrylic on canvas, 20 × 20 in

Vian Borchert

| Artist | Educator | Art Lead of Oxford Public Philosophy 

www.vianborchert.com

Gateway to Sea (2025)
Acrylic on canvas, 20 × 20 in

Columns of the Temple of Apollo (2025) Acrylic on canvas, 20 × 20 in

Columns of the Temple of Apollo (2025)
Acrylic on canvas, 20 × 20 in

"Clouds Over Ocean"

(Acrylic on canvas, 36" x 36" inches, 2024)

Beyond the Horizon

Watergate Gallery, Washington, DC

In parallel, Borchert is featured in Beyond the Horizon, an invitational group exhibition at the Watergate Gallery in Washington, DC. Situated within the iconic Watergate Building complex, the exhibition explores themes of perception, endurance, and imagined futures.

Borchert’s exhibited work, Clouds Over Ocean (2024), continues her ongoing engagement with the horizon as both a visual and philosophical construct—a line that separates the known from the unknown while inviting contemplation of what lies ahead.

Exhibition Details

  • Dates: December 6, 2025 – February 28, 2026

  • Gallery Hours: Tuesday–Friday 11–6, Saturday 12–5

  • Location: 2552 Virginia Avenue NW, Washington, DC 20037

Miami Art Week, Venice Biennale, and Global Circulation

During Miami Art Week / Art Basel Miami Beach 2025, Borchert participated in the Social Justice exhibition at AQUA ART MIAMI, curated by Amy Jackson in collaboration with SHIM Art Network. Her work Electrical anchors this presentation—an abstract meditation on uncertainty, resilience, and the unseen forces shaping the human condition.

This exhibition will travel to the Venice Biennale 2026, where it will be presented at Palazzo Pisani-Revedin from August 14 to September 14, 2026, extending the dialogue into a global cultural forum.

Market Presence and Collections

Borchert’s work is currently available through leading international platforms and galleries, including:

  • Opulent Art Gallery (London) via Artsy, with multiple works featured and included in the December 2025 exhibition Art Advent Calendar 2025

  • 1stDibs, where her work is represented among world-class contemporary artists

  • Artsy, through Opulent Art Gallery, SHIM Art Network, bG Gallery, The Painting Center.

  • Zatista

  • 1stdibs

  • Artsy

Artist Profile

Vian Borchert is an acclaimed American abstract expressionist known for what she defines as visual poetry. A graduate and Notable Alumna of the Corcoran College of Art and Design at George Washington University, Borchert has exhibited in over 100 exhibitions worldwide, including presentations at the Carrousel du Louvre, the Venice Biennale, Art Basel Miami Beach, and major museums and galleries across Europe, Asia, and the United States.

She serves as Art Lead for the Oxford Public Philosophy Journal (UK) and has been an art educator for over two decades in the Washington, DC area. Her work has appeared in more than 100 publications, including World Art News, Museum Week Magazine, and The Washington Post. In 2025, she was named by MSN as one of the Top 10 Most Creative Artists of the Year and listed among the most investable artists by Art Market Experts.

Vian Borchert on MUSE.TV
Through myth, abstraction, and lived memory, Borchert’s work invites viewers to pause at the threshold—to look toward the horizon, the stars, and the unseen narratives that continue to shape us.

In Conversation with Vian Borchert

Vian Borchert’s work has always lived at the intersection of abstraction, poetry, and lived experience. In this extended conversation, the artist opens a window into the inner architecture of her practice—where painting, writing, memory, and philosophy converge.

Rather than offering fixed answers, Borchert speaks from a place of evolution. She reflects on how the core meaning of her work has shifted over time while remaining anchored in atmosphere, emotion, and a poetic abstraction that resists literal narrative. From nocturnal studio rituals shaped by music and quiet light, to the profound influence of poetry on her visual language, these interviews reveal the intimate conditions under which her paintings come into being.

Borchert discusses creativity not as a singular act, but as a layered process—one shaped by journals and sketches, by architecture and horizons, by illness and recovery, by music drifting through the house at night. Her reflections move fluidly between the personal and the universal: the meaning of home, the power of perspective, the role of hope, and the responsibility of the artist in uncertain times.

Throughout the conversation, recurring themes emerge—structure and belonging, nature and cityscapes, myth and modernity, stillness and movement. Her responses read much like her paintings: suggestive rather than declarative, emotional rather than prescriptive, inviting the viewer (or reader) to linger, reflect, and find their own entry point.

What follows is not simply an interview, but a portrait of an artist in motion—thinking, questioning, and continually reframing how we see, feel, and imagine what lies beyond the visible.

What is the core meaning in your art?

The core meaning of my art usually shifts and somewhat changes as I grow. Yet, the essence of my art has always been the same since many years, which is to capture the expression, feel, and atmosphere of a certain setting through an abstracted expressionistic poetic touch.

Describe the vibe in your studio? Music, sources of inspiration, studio light...

My studio is in my house. Since I am mainly a night person where I produce most of my creative work at night. I find the convenience of having the studio within my house very essential to me that whenever I am in the mood to paint it can happen immediately, and I wouldn't need to get in a car and drive to get to it. As for music, it is essential for me as a creative person. I feel that music nourishes my soul and takes me to places where my mind can wonder. I live with musicians, so living with music is rather normal for me. I don't play any instruments. Yet, when I hear piano being played in my house - I have so much admiration for the music being composed and to the musicians creating the music. I am always in awe of what they compose. Besides listening to actual Live piano, cello and violin classical and modern pieces at home. I love listening to all sorts of music. My favorite singer of all time is Kate Bush. I also love David Bowie. In fact, just recently for the month of January and early February 2023, I had my David Bowie portrait paintings on exhibit at the National Liberty Museum in Philadelphia, PA where they had a "Bowie Bash" opening event with Bowie music celebrating the legacy of the late singer. Besides David Bowie, I love John Lennon and especially his song "Imagine". I also love listening to Jazz. Back in college, I took music appreciation of Jazz and Blues which opened my ears to the beauty of jazz. I especially love Miles Davis, and other greats such as John Coltrane, the Dave Brubeck Quartet, Stan Getz, Hiroshi Suzuki and most recently the discovery of Ibrahim Maalouf's jazz pieces. My go to music though when I paint has always been "The Cure" such as the song "A Forest". I also like the Smiths' "There Is A Light That Never Goes Out", Billie Eilish's "Everything I wanted".

In regards to light, I can work in any light, even in dim light. I am not a fussy artist. I can create artwork anywhere and at any condition. For sources of inspiration, there are so many such as: architecture and landmarks, buildings in NYC and in Chicago, mid-century modern California houses by Richard Neutra, Charles Eames, Craig Ellwood. And, of course, I love nature. I especially love sunrises and the first crack of light that one sees at dawn. I love full moons as well and how they brighten the night skies.

How does being an award winning poet influence your artwork?

I've always had the writing bug so to speak even as a young child. As a child, I was very shy and I am still rather shy even today. It takes so much to get out of my skin. Thus, writing and art were my refuge growing up. Even as a child, I thought poetry writing was at a whole different level than any other kind of writing. Poetry can be short, abstract and swift, capturing the power of many emotions within lines, be it a love poem, or a melancholy one - Few words threading together to make a powerful poem. Besides the minimal element of it, I have always liked the abstract and suggestive nature of poetry. People who know me well come to a realization that when I am tired, I start rhyming. Hence, for me, I feel poetry is intrinsic within me much like art is. My best poems are written when I am extremely tired sitting in bed while the thoughts stream and mingle with dreams and just like that a poem emerges. I mainly write between my Alpha and Beta brain waves' stages.

Favorite moments from past exhibitions?

My Favorite moments from exhibitions are when people fall so much in love with my work that they have to purchase it and live with it. I had a physician purchase one of my paintings who told me that she can write poetry to it - that's when I know I did a good job when the art emits the magic and speaks well on its own that you can't help but fall in love with it and gotta have it.

What is your creative process?

I work in a series and sometimes work on one central idea that produces many works of art. The latest work revolves around structure and the theme of belonging along with questioning, "What is a Home?" Is home a house, is home someone you love, is home a country, is home a feeling or a place that you only can go to through your imagination. Hence, the latest work abstractly covers such heavy and deep subjects that have layers and multitudes from the actual structure of shapes and lines to the poetic and metaphoric aspects of the theme.

Do you keep a journal?

Yes, I have always kept a journal as far as I can remember. The journal was always a place to go back to for writing my feelings, how my day went, what bothered me, the outlines of ideas, doodles and sketches. I am a visual person, so writing and sketching are an extension of who I am. I have journals in my closets that date back to many years ago. I remember back in college, I took a class about the importance of keeping a journal and that always stayed with me ever-since.

Inspiration for your current exhibit?

My inspiration for the current exhibit is at its core: architecture, structure, geometry and Philosophy.

Can you tell us more about your current exhibit REFRACTURE - Visual Realignment?

“REFRACTURE– Visual Realignment '' is a group exhibition for the month of February 2023 in NYC at Lichtundfie gallery. The Concept of the exhibition is by Priska Juschka. In the exhibition, I present my latest paintings that are mixed media of acrylic on canvas and on archival paper. In these latest works, my vision is on emphasizing the strength of structure through lines, gestural geometric shapes which are true to my artistic touch along with painted collages attached to the work. My latest artwork aims to capture depth of the perspective while being suggestive to the elements of the vanishing points and lines within an abstract field in such allowing for the unusual viewpoints and perspectives to come through highlighting the multiplicity of infinity within space.

Lichtundfire is located in Manhattan’s Lower East Side at: 175 Rivington Street, NYC, NY. Gallery Hours: Wednesday – Saturday: 12-6PM. My paintings are also available for purchase through the gallery.

Future concepts you look forward to bringing to life?

I keep thinking and bringing up the idea of work that can be done in 2D and transformed into 3D - somehow this idea keeps circling in my head. I haven't found or invented the technology that might make that possible yet - maybe it will come to me in a dream.

What does a creative perspective mean to you?

Everything, it means everything. Our perspective, at least mine changes and shifts with time and growth. When I got Covid around the end of the Summer of 2022, I almost died. The only thing that I kept thinking of while I laid lethargic in bed ready to disappear into the afterlife, is why didn't I enjoy the journey, that life is simply a journey, and how you enjoy that journey and the quality time you spend with your loved ones is all that matters. Being sick to death with Covid gave me perspective! I believe that is why my new art made a leap. The new art I am creating after Covid is all about perspective and perception along with how one sees and perceives what is ahead of you and what lies in the infinite world and beyond.

What is the best thing about being an artist?

Being creative is the best part of being an artist. Although sometimes it can be tiresome all the ideas coming all at once. There are times when I feel I am too stuck on the right side of the brain (the side where creativity and ideas occur), and I need to go back to reality and shift back to the left.

Nine Inspirations

Artist: Vian Borchert

1. Nature:

Nature has always been a great source of inspiration to me, be it the beautiful sunrises that wake us up from our slumber and sleep, or the sunsets that say goodnight till another day. The moons and the stars above allow us to dream upon them. Dreams of expeditions into outer space and future travels into the unknown Universe. Our nature, our world is full of giving, full of love, full of mystery, full of hope. Nature is part of us and we are part of it. Ultimately, nature for me is the mother of all, the mother that keeps on giving unconditionally from its daily bounties and blessings while mesmerizing us with its endless beauty from its rainbows to its forests, oceans and green fields. Nature is for sure a huge source of inspiration for me as a visual artist

2. The Seasonal Changes:

One of the biggest wonders of nature are the four seasons from Fall to Winter, to Spring into Summer. Living and growing up in climates that are affected by the four seasons where one sees the transition from one season into another is definitely a visual feast to an artist. I just had in September and October a solo exhibition in the Washington DC area titled “Autumn Transition” that celebrated the changes that occur from the sweltering hot Summer nights transforming into the crisp air of Autumn as the temperatures fall into Fall. Winter is by far my favorite season to paint. I love the thickness of snow depicted in my Winter Woods’ paintings with the intention of turning these canvases into Winter Wonderlands by creating the illusion as if the viewer is walking into a freshly snowed in forest. I’ve also painted many snow mountains’ paintings that are mainly all sold as soon as they are created, and are on the walls of many art collectors' residences throughout the world.

3. Cityscapes:

I am a city girl, although the countryside does appeal to me in its pastoral panoramic landscapes. Yet, the city with its magnificent architecture holds a special place in my heart like no other. There is a certain fascination in looking up at skyscrapers and discovering amazing architecture that takes one’s eyes up and up to the sky. Cities such as NYC and Chicago for me are something else in regards to their skilled architecture. A walk on NYC’s High Line between minimal edgy buildings designed by the giants of architecture such as Zaha Hadid, Frank Gehry and Renzo Piano, is an absolute exaltation to devoted architecture fans such as myself.

My latest line of artwork has been to bring my love for cityscapes and architecture into my art, while still executing my signature painterly touch that I am known for. In the exhibition “Abstract Gravity” a number of my monochromatic cityscapes were exhibited in a NYC key gallery where my art was praised by renowned art critic and beautifully written about in an acclaimed art review.

4. Art History:

In my art education, I’ve had extensive courses in Art history that greatly contributed to my knowledge in the field. Moreover, I have worked in museums such as the National Gallery of Art and The Phillips Collection Museum both located in Washington DC that furthered my knowledge and got me face to face with the actual master works of the most celebrated artists in history. From Monet to Degas to Diebenkorn and Rothko. I stood there for hours studying their work, every brush stroke, what they felt and how they translated their feelings into their skilled works of art. My favorite pastime till today is to visit museums wherever I am in the world. Also, museums are hubs of great architecture. Museums such as Glenstone museum in the DMV area is a great example of the marriage of architecture and landscaping mixed together in creating a great immersive museum going experience.

5. The Big Blue:

My love for the sea and the ocean inspires many of my works. You see, I was born by the Mediterranean sea. So, for me, the sea, the Mediterranean, is part of my intrinsic making. From its salty sea breeze to its deep azure blue, the sea is in my blue veins so to speak. Therefore, naturally I would create one seascape after another due to my deeply rooted love for the sea which embodies my heritage and my Mediterranean identity. I am nevertheless a lover of all oceans and all seas around the world. On the East coast, I greatly admire the Atlantic ocean and yearly go on vacations by the sea to energize and rejuvenate myself for months to come. For me, the annual trip to the sea is more than just an escape from the day to day noise, but a great source of meditation and artistic inspiration.

The sea from its sandy shores to its squawking seagulls and its special smell all exude excitement and energy like no other.

6. Cinema:

For those who don't know me, I actually studied the history of cinema back in college. For me, cinema from its birth till today has been the same as fine art. The difference between cinema and art, is that art is “still” where cinema is the moving picture – the moving art so to speak. The reason why I have always been fascinated with cinema ever since I was a child is because cinema beyond giving us the emotions and visuals – movies tell a story. Moreover, cinema engages us in so many ways through the film’s production and its editing. Good cinema stems from a visionary director and of course a team pulling it all together to make it work. I still dream about making my own films, and I feel my films upon creation will also revolutionize the art of cinema much like my signature abstracts have resulted in movements and trends within the art world. Good art moves people much like good cinema does. Some of my favorite movies and directors are: “Amarcord” by Federico Fellini, Jean-Luc Godard’s “ À Bout De Souffle (Breathless), A Trip to the Moon (Le Voyage dans la Lune) by Georges Méliès.

7. Birds:

Birds have always been a source of pleasure and joy to me. Ever since I was a child, waking up to the tweeting birds gave me much needed energy for the day ahead. Until today, I open the windows daily in the morning just to hear the birds, and let the fresh air circulate within the rooms. My love for all types of birds from blue birds to seagulls and crows is rather clear in my art teaching and in the projects I cover in my art classes. Throughout my art tearchings, I engage my students in creating artwork from all sorts of subject matters, not only still-life and scenic landscapes but birds of a feather are also a staple in my teaching as well. In my art courses, artwork illustrating birds have been done in pen and ink and in watercolor. Birds, remain a great source of inspiration to me as an artist and as a person who loves to see other beings singing and loving nature and flying freely from one tree to another happily.

8. Flowers and Herbs:

Last Summer, I created works of art that were inspired by my love for my lavender plants. You see, in the beginning of COVID, I had planted lavender plants in my garden and ever since I had seen the plants grow and flourish within my garden amid such a challenging time of living in a pandemic. The resilience and strength of these plants throughout these difficult times of quarantining had given me so much strength. Seeing these delicate purple flowers bloom and fill the air with their aromatic smell brought much pleasure to my heart on a daily basis. The beautiful lavender color had inspired me to create my new lavender hue themed artwork and the “Lavender Fields” paintings’ series that have been widely written about and a source of so many art articles and interviews. I am grateful for all the herbs and flowers that grew in my garden during this time. Their beauty and strength had inspired me so much not only in my work, but also in my life’s journey as well.

9. Poetry:

Perhaps this is one of my more hidden talents, yet poetry has been an integral part of my life for a very long time. As a child, I grew up keeping journals partially as diaries, partially as a sketchbook but mainly to write down my poetry. I have journals over journals full of poetry. Poetry that was inspired from love lost and love attained, melancholy, happiness and hope all affected my poetic voice.

Some of my favorite poets include Langston Hughes, Mary Oliver, Robert Frost, Emily Dickinson, Rainer Marier Rilke and Pablo Neurda.

I end with this poem that I wrote at the end of 2020 with a hopeful look into 2021 titled “Dare to Hope”. Enjoy!

Dare to Hope

By: Vian Borchert

In the heart of all of us

There lays a hope

desiring to be free

from the sadness

from the grim

and the depression

and the wallowing.

This hope is big

This hope is great

This hope will break barriers

and sing

This hope will shine

This hope will bring forth happiness and care

A community of sharing and love

This hope is love

for a bright future

which will be

at our doorsteps

if we allow it to be

if we are allowed to see

our hope within us

For it will take us

flying high

above all troubles

to a nurturing place

a sound place

where love and dreams come true.

Take it, embrace it, love it

for hope will be yours.